Lord Byron's Don Juan:
By Womanizer to Victim?
In the early on nineteenth century famous poet Lord Byron embarked on task management that would the fictional world a favor for hundreds of years to follow. Joker had currently become a popular character who also provided visitors from generations passed stories of swashbuckling antics and manly triumphs of challenge, travel, cure, and of course females. First made famous, more than likely, by a Spanish play in the fourteenth century; Wear Juan's figure is most generally portrayed like a wealthy, hyper-sexual womanizer who also goes through various situations involving women. The impending conflicts with men like the ladies' fathers and English Lords give you the literary opportunity for the writers to twist the tale because they please.
Lord Byron's great attempt at the tale of Don Juan took the form of a composition. Not just any kind of poem, but the epic composition. Byron made a decision to take the figure on a globe-trotting tour of Europe and Asia, and placed him in dodgy situations as always. He naturally placed many women in the course of Don Juan. But Byron was not merely going to compose an epic composition, but a satirical legendary, a comedy of Joker to be used as a car to " to be a little quietly facetious upon every little thing, " when he told his friend Thomas Moore in 1818 (Boyd). The composition is written in iambic pentameter within a rhyme scheme known as ottava rima. The scheme was common in tragedies and comedies as a result of use of rhymed endings that added dramatic effect.
Readers and literary experts may consider that the overall theme and character of Don Juan may differ in Byron's version, with Don Juan seemingly being a lot of victim and less of a womanizer. Through the 18 cantos which can be written Don Juan can still be seen to be a guy who makes choices. The interesting factor to weigh is what was left to be written, and what selections was Byron going to have Don Juan make that readers will never identify. This being because Byron's work was never done.
Cited: Boyd, Elizabeth French. Byron is Don Juan: a critical study. Taylor & Francis, 1958. Brownstein, Rachel Mayer.
Brownstein, Rachel Mayer. " Byron 's Don Juan: Some Reasons behind the Rhymes. " Modern day Language Quarterly 28. a couple of (1967): 177-191.
Byron, Lord. Joker. MobileReference, 2010.