Bansuri

Welcome to indianflutemusic. com, your gateway to the classical music of northern India. Enjoy! В --Kerry Kriger

Bansuri: The Bamboo Flute of Upper India

TheВ bansuriВ is a transverse (side-blown)В bamboo fluteВ from northern India. It is one of the world's many ancient musical instruments, having been around in more or less their current type for about 5, 000 years. This site is usually dedicated to the bansuri, also to the traditional music of northern India (Hindustani Sangeet: В theВ raga), since the two in combination can produce music unparalleled in its beauty. You are now being attentive toВ Kerry KrigerВ playing alap in Darbari. Arrangement for Bansuri

My brand-new 205-page bookВ " Compositions to get Bansuri" В will soon be accessible exclusively in indianflutemusic. com! It features 195 pages of compositions that were trained to me straight by India's great flute masterВ Pandit Vijay Raghav Rao. The book is a significant resource for any individual interested in Indian Classical Music, regardless of device or experience. Please join the American indian Flute Musicmailing listВ so I will keep you up to date when it becomes available. Bansuri Essentials - Finding a Sound

This is the most important part of playing the bansuri, as well as the one that makes 99% of potential bansuri players give up on day one! It may take a number of days just before a new person can get a consistent sound, nevertheless once you have this, you have that forever, therefore fight through the first few days! To get a sound, touch your mouth hole towards the point half-way down your lower lips, and hit air basically across the top of the hole, practically as if 1 / 2 the air is going into the hole and half over it. Tend not to attempt to cover more than the first couple slots, for in the event that any pit is not really entirely sealed you will get no sound in any respect! I recommend masking only one or two holes at first, or non-e in any way. To stability the flute when not any holes are closed, work with both thumb and your correct pinky. The mouth area serves as the 4th point of stability. Notes in Indian Time-honored Music

American indian music would not used a set tonic. Hence while the frequency of " A" in western music is ALWAYS started 440Hz, the first be aware of an Of india scale could be any pitch, and all other notes in the scale will be relative to that note. Two benefits of this technique are that (1) one can play the melody (raga) using the same fingerings upon any size (pitch) tool - the complete melody changes up or down in key, nevertheless the feeling produced is the same; and (2) it permits the notes in Indian Music to be based on " just temperament" as opposed to the " equal temperament" scales employed in Western Music. In essence, American indian notes derive from naturally occuring overtones and are thus " pure", while the important changes needed by Traditional western Music, need scales with notes which have been somewhat affected. Thus the notes with the chromatic level are:

H - Social fear (the tonic, 1st take note of virtually any scale; played out from virtually any pitch! ) r -- komal Lso are (the smooth 2nd; " komal" means flat, or literally sweet) R -- shudd Lso are (natural second; " shudd" means normal, or literally pure) g - komal Ga (flat 3rd)

G - shudd Ga (natural 3rd)

m - shudd Ma (natural 4th)

Meters - teevra Ma (sharp 4th; " teevra" means sharp, or perhaps literally strong) P -- Pa (the 5th)

deb - komal Dha (the flat 6th)

D - shudd Dha (the organic 6th)

and - komal Ni (the flat 7th)

N - shudd Ni (the normal 7th)

H - large Sa (an octave previously mentioned Sa; would be written having a dot over it to denote substantial octave; conversely, notes inside the low octave are created with a appear in underneath them. ) Realize that each notice has only one name! This can be as opposed to Traditional western Music (where a C sharp is the same as D smooth for instance), and it makes points far less complicated. Notice also that the higher version of each be aware is capitalized. There is one more method of composing note titles, which is to capitalize all notes, but represent flats simply by underlining the letter, and denote a clear , crisp (teevra Mum is the just sharp note), with a straight bar over a note. Bansuri Basics -- Playing the Notes

The first take note...

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